Octave example for main motif: e|-------------------------------------------| B|-------------------------------------------| G|----5--------------------------------------| D|----5--7--5--3-----------------------------| A|-------------------------------------------| E|--5--5--7--5--3-----------------------------|
When analyzing Wes's approach, his performance typically breaks down into three distinct phases:
Don't just memorize the fret numbers in the chord solo section. Identify the root notes of the chords so you can transpose these powerful shapes into your own jazz blues or modal improvisations.
Week 2 — Right-hand thumb technique & octaves
Starting with melodic, fluid phrases played exclusively with his thumb for that warm, mellow tone.
Wes Montgomery’s rendition of Juan Tizol’s "Caravan" (most notably from the 1966 album Goin' Out of My Head ) stands as one of the most recognizable pieces in jazz guitar history. It is a masterclass in dynamic control, rhythmic precision, and the "Naptown Sound."
"Caravan" is historically known for its exotic melody, driving rhythm, and heavily modal or diminished harmony. When Wes Montgomery tackled this tune, he injected his signature modern jazz sensibilities. The arrangement is famous for:
During the climax of his "Caravan" solo, Wes utilizes drop-2 and drop-3 chord voicings moving rapidly up and down the neck. Instead of static chords, he treats the chords as a harmonized melody line, frequently sliding into shapes from a half-step below. Tablature Breakdown: Key Sections to Practice The Exotic "A" Section (C7 to Fm)
