A closing title card: “Paul Simon declined to comment. But his office did not deny the FLAC 88 master existed.”
In high-resolution FLAC, this era transforms from a historic relic into an intimate living-room experience. The 88kHz sampling rate captures the exact friction of his fingers against the guitar strings and the natural, uncompressed resonance of the wooden guitar body. It highlights a young songwriter finding his voice, entirely stripped of studio slickness. The Eclectic Seventies and Solo Superstardom (1972–1980)
Steve Gadd’s legendary military-style drum intro on "50 Ways" serves as a benchmark for testing transient response on high-end audio gear. High-res FLAC captures the crisp snap of the snare with perfect clarity. One-Trick Pony (1980) paul simon discography 19652023 flac 88
Albums like Parsley, Sage, Rosemary and Thyme (1966) and Bridge over Troubled Water (1970) benefit immensely from the expanded dynamic range. The towering, gospel-driven climax of the title track "Bridge over Troubled Water" retains its power without the digital clipping or compression found on older CD pressings. 2. Solo Breakthrough and Pop Experimentation (1972–1980)
To help you find or organize this specific high-resolution collection, let me know: Share public link A closing title card: “Paul Simon declined to comment
This era saw Simon moving away from traditional Western structures toward the sounds of South Africa and Brazil.
A profound, 33-minute acoustic meditation on mortality, spirituality, and peace, intended to be listened to as a single continuous piece. It highlights a young songwriter finding his voice,
Leo fled with the SSD, a portable DAC, and his dead father’s 1975 Walkman Pro (modified for 88.2 playback). He drove west, listening in order. The music revealed coordinates in the dither noise of Surprise (2006). A GPS point near the actual Graceland fence. Buried there: a thumb drive with Paul Simon’s own note: “You found the 88. Now share it before they flatten the music into numbers.”
Following the bitter split of Simon & Garfunkel in 1970, Simon pivoted immediately to a eclectic, genre-fluid solo style that incorporated reggae, gospel, and Latin rhythms.
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