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Closing out this decade of music, Portable Ops proved that handheld titles could carry the same acoustic weight as home consoles. Composed by Norihiko Hibino and Akihiro Honda, it bridges the gap toward the end of the Solid Snake saga. Gritty, emotional, and military-focused.

As the series prepared to wrap up Solid Snake's story on the PlayStation 3, the music took a dark, elegiac turn.

Features the iconic "Main Theme" by Tappi Iwase and "The Best is Yet to Come".

A cue sheet is a metadata file describing how the tracks on a CD are laid out. It preserves the exact gap timings between songs. This is vital for albums where tracks seamlessly cross-fade into one another, ensuring gapless playback. Tracking Down the Components of the 1998–2007 Boxsets

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, director Hideo Kojima sought a "Hollywood" sound, recruiting film composer .

Primarily composed by the Konami Computer Entertainment (KCE) Japan Sound Team, including Tappi Iwase and Kazuki Muraoka . It introduced the iconic "Metal Gear Solid Main Theme" and the Gaelic ending theme "The Best Is Yet to Come" .

The decade spanning 1998 to 2007 was a golden age for video game music. As hardware limitations vanished, Konami’s in-house sound team—the Konami Kukeiha Club—and legendary Hollywood composers completely redefined how video games were scored. Game Soundtrack Release Year Primary Composers / Producers Key Sonic Style Takanishi, Kamiya, Matsuhana, Muranaka Industrial Synth, Ambient Techno, Celtic Folk Metal Gear Solid 2: Sons of Liberty Harry Gregson-Williams , Norihiko Hibino Orchestral Fusion, Big Beat, Breakbeat Electronic Metal Gear Solid 3: Snake Eater Harry Gregson-Williams, Norihiko Hibino 1960s James Bond Spy Themes, Acoustic Jazz, Heavy Brass Metal Gear Solid: Portable Ops Norihiko Hibino, Takahiro Izutani Dramatic Choral, Military March, Melodramatic Rock