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Can - Future Days -1973- Remaster -2005- Flac -... !link! Jun 2026
The album opens with the title track, "Future Days." Unlike the jarring introductions of previous albums, this track eases the listener into a warm, liquid environment. Irmin Schmidt’s use of the Farfisa organ and newly implemented synthesizers creates a shimmering bed of sound, while Michael Karoli’s guitar work abandons aggression in favor of clean, intertwining arpeggios.
The album’s briefest track is also its most accessible. "Moonshake" is a proto-synth-pop gem built around a tight, infectious drum beat and a bouncy, minimalist bassline. It proves that even at their most experimental, Can possessed an innate understanding of pop economy. The track’s rhythmic DNA can be heard decades later in the dance-punk and indie-rock revivals of the early 2000s (most notably in bands like LCD Soundsystem and Spoon). 4. "Bel Air" (20:00)
Their previous double album, Tago Mago (1971), was a dark, sprawling descent into psychedelic madness. Its follow-up, Ege Bamyasi (1972), tightened those loose threads into a jagged, urban funk.
This edition is a Hybrid SACD (Super Audio CD), meaning it contains two layers: a standard Red Book CD layer playable on any CD player, and a high-resolution Super Audio CD layer for specialized players. The remastering was performed at the renowned Sonopress Studios in Germany by engineer Andreas Torkler, a process personally attended and guided by original band members Irmin Schmidt, Holger Czukay, and longtime collaborator Jono Podmore. Working directly from CAN's original stereo master tapes, the goal was to produce a version of the album that was faithful to the original analog recordings. Reviews from the time praised the release, noting that it not only sounded fantastic but was also housed in a lovely case with extensive liner notes and rare photos.
If you are looking for specific (like bit depth/sample rate) or buying options for the FLAC files, let me know! CAN - Future Days (Remastered) on Juno Download
The album opens with the title track, "Future Days." Unlike the jarring introductions of previous albums, this track eases the listener into a warm, liquid environment. Irmin Schmidt’s use of the Farfisa organ and newly implemented synthesizers creates a shimmering bed of sound, while Michael Karoli’s guitar work abandons aggression in favor of clean, intertwining arpeggios.
The album’s briefest track is also its most accessible. "Moonshake" is a proto-synth-pop gem built around a tight, infectious drum beat and a bouncy, minimalist bassline. It proves that even at their most experimental, Can possessed an innate understanding of pop economy. The track’s rhythmic DNA can be heard decades later in the dance-punk and indie-rock revivals of the early 2000s (most notably in bands like LCD Soundsystem and Spoon). 4. "Bel Air" (20:00)
Their previous double album, Tago Mago (1971), was a dark, sprawling descent into psychedelic madness. Its follow-up, Ege Bamyasi (1972), tightened those loose threads into a jagged, urban funk.
This edition is a Hybrid SACD (Super Audio CD), meaning it contains two layers: a standard Red Book CD layer playable on any CD player, and a high-resolution Super Audio CD layer for specialized players. The remastering was performed at the renowned Sonopress Studios in Germany by engineer Andreas Torkler, a process personally attended and guided by original band members Irmin Schmidt, Holger Czukay, and longtime collaborator Jono Podmore. Working directly from CAN's original stereo master tapes, the goal was to produce a version of the album that was faithful to the original analog recordings. Reviews from the time praised the release, noting that it not only sounded fantastic but was also housed in a lovely case with extensive liner notes and rare photos.
If you are looking for specific (like bit depth/sample rate) or buying options for the FLAC files, let me know! CAN - Future Days (Remastered) on Juno Download
Haier G51
